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Official Site: Webtoons- The Warrior Returns

Webtoon (stylized in all caps) is a South Korean webtoon platform launched in 2004 by Naver Corporation, providing hosting for webtoons and compact digital comic. The platform is free, and is found both on the web at Webtoons.com and on mobile devices available for both Android and iOS.

The platform first launched in South Korea as Naver Webtoon and then globally as Line Webtoon in July 2014, as the Naver brand is not well known outside of South Korea and some of its services are also not available outside of the country. The service gained a large amount of traction during the late 2000s and early 2010s. In 2016, Naver's webtoon service entered the Japanese market as XOY and the Chinese market as Dongman Manhua. On December 18, 2018, Naver closed XOY and migrated all of its translated and original webtoons to Line Manga, its manga service that offers licensed manga. In 2019, Line Webtoon was changed to Webtoon in English; Spanish and French versions were launched.

The platform partners with creators to publish original content under the Webtoon Originals banner and hosts a number of other series on its self-publishing site Canvas. Line Webtoon comics can be discovered through the "daily system" function, along with being read and downloaded for free on computers and both iOS and Android devices. In November 2020, Webtoon established a new subsidiary called Webtoon Studios for the purpose of licensing English-language properties. In August 2022, it was reported that Wattpad Webtoon studios announced that would expand with a new animation division.

Webtoons are a sub-menu of the gate companies that began with South Korean portal services Daum and Naver. Posting comic content for free caused the $3 billion South Korean book and comic industry to rapidly collapse. The Naver site started in 1999 by merging with Hangame, but it initially had a muted response as a hidden menu. Webtoon administrators paid comic artists only 50,000 Korean Won ($50) as their monthly wage, a highly unscrupulous tactic. In the 1990s, Korean artists claimed that even with a monthly income of 6 million Korean Won ($6,000), it was challenging to do weekly serials. With exorbitant royalties, professional artists experienced mental shock.

Minsu Kim has not been a contender in any CBUB matches.